Bonifacio P. Ilagan
Tuesday, February 10th, 2009IN THE LATE 1960s and early 1970s, those who wrote plays for the activist theater groups remained nameless. It was an unwritten rule that took off from the collectivism that pervaded the so-called committed art scene in the Philippines. When martial law was imposed in 1972, the more that these playwrights became nameless. Then, on [...]

